Kidnapping Mountains (exhibition), 2009 A mythical and brutal dreamscape, Kidnapping Mountains at NETWERK Center for Contemporary Art looks at the multiplicity of languages, cultural affinities, and identities found in Geography's case study of complexity otherwise known as the Caucasus. Through printed matter, sculpture, and ritualized topography, the exhibit explores the linguistic, social and political phenomena of a region swinging between the extremes of realpolitik and science fiction. The installation consists of various-sized peaks from 1.5 x 1.5 x 1m to 4.7 x 4.7 x 3.2m, wood, covered with wooden veneers and mirror.
	Resist Resisting God, 2009 Mirror mosaic, 150 x 100 cm edition of 3 (+1AP) Each edition with varied pattern, 4 x silver 1 x gold.
	Resist Resisting God (detail), 2009 Mirror mosaic, 150 x 100 cm edition of 3 (+1AP) Each edition with varied pattern, 4 x silver 1 x gold.
	Dig the Booty, 2009 A transliteration of an aphorism across Latin, Cyrillic and Farsi, in homage to the vicissitudes in the Azeri alphabet. Vacuum-formed plastic, 91 x 64 cm edition of 3 (+1AP)
	Kidnap Over-Here, 2009 The Georgians living west of the Likhi mountain range, considered to be the natural border between Europe and Asia, refer to themselves as the "over-here's" and to those living on the east side of the range as the "over-there's". Screenprint, 120 x 176 cm edition of 10
	CHVEN SAKURTVELOS GAUMARDJOS, 2009 The original expression CHVEN SAKARTVELOS GAUMARDJOS is roughly translated as LONG LIVE GEORGIA or VIVE GEORGIA. By changing the A of Sakartvelos to a U to make SAKURTVELOS, the phrase becomes LONG LIVE KURDISTAN and the unresolved geopolitical identity of one mountain people is replaced by that of another. Wall painting, 31 x 450 cm edition of 1
	Cheremshah, 2007 Lambda print, 49 x 33.5 cm (framed) edition of 3 (+1AP)
	AaaaaaahhhhZERI!!!, 2009 A tribute to the Azeri alphabet, which changed three times in the 20th century - first from Arabic to Latin in 1928, then to Cyrillic in 1939, and finally back to Latin in 1991 - causing immense damage to the cultural heritage of the republic, not to mention making generations of Azeris immigrants within their own country. Screenprint, 70 x 85 cm edition of 100
	Camels, 2008 Lambda print, 49 x 33.5 cm (framed) edition of 3
	Camels, 2008 Lambda print, 49 x 33.5 cm (framed) edition of 3
	The League of Impatience, 2008 Off-set print Triptych - 24 x 33 inches (each) 1/100
	Last of the Eurasianists, 2008 Off-set print 27 1/2 x 39 1/2 inches 1/100
	Histoire du Monde, 2008 Off-set print 33 x 46 inches 1/3
	A Thirteenth Month Against Time, 2008 Off-set printing book in case 1/100
	A Thirteenth Month Against Time, 2008 Off-set printing book in case 1/100
	A Thirteenth Month Against Time, 2008 Off-set printing book in case 1/100
	Slavs and Tatars A Thirteenth Month Against Time, 2008 Installation view at Newman Popiashvili Gallery